[As the seconds drag by, the shaking subsides a little at a time. He turns his head so that the damaged eye faces outward - presses his cheek on the uninjured side against her shoulder.]
[At length, one of his hands smooths across her back, careful - like he's confirming to himself that she's here, and in one piece, and as close to okay as she can be, given the circumstances.]
[Her breath catches again, a voiced little hiccup, but she presses closer still, enough that he can surely feel her heart pounding in her chest. Her one hand stays over the middle of his back, counting his breaths]
[There's no heartbeat to mirror hers, but she can feel him breathing - not quite steady - and pick up on the little tremors still working through him.]
[The hand on her back smooths down and then up again - to soothe her, maybe, but also to prove to himself that they're both here, in an ordinary bathroom, and there's nothing stopping either of them from reaching out for one another, if they need it.]
[She can't quite slow enough to match even his unsteady breaths but she's trying. She can't keep quiet, either, even though her voice comes out small enough that you'd think shutting it would be simple.]
Hey...
[She tangles her fingers more tightly into his shirt for a good while before she continues]
You think--they could set up other doorways like that?
[He's quiet for a second or two, digesting that. Then:]
I guess.
But... why not just do that in the first place, if they knew to trap somewhere we'd be anyway? Why put the extra effort in to get us out to somewhere specific... y'know?
Or with some kinda set-up. It had to be magic, right? Maybe there had to be some kinda written whatever, or it had to be real dark, or something. Otherwise why bother calling us out?
[He thinks about it, for a long couple of seconds.]
...or maybe he didn't know where we usually go or something.
Kinda weird it's all been at whatshisname's house, though, yeah? Even though P was supposed to've grabbed him.
...but yeah. That's what they wanted from him, right? So - they had to be trying to get him to give up the info, or do whatever it is they needed him to do to get them in.
[He's quiet for a long couple of seconds - curls into her a little closer.]
So either. Either what they got outta broadcasting was worth giving up the secret over, or else whoever it was wasn't part of the cover-up to start with.
Re: [Day 169, after they have left the theater]
[As the seconds drag by, the shaking subsides a little at a time. He turns his head so that the damaged eye faces outward - presses his cheek on the uninjured side against her shoulder.]
Re: [Day 169, after they have left the theater]
At one point she makes a little noise like she's going to say something, but doesn't in the end.]
Re: [Day 169, after they have left the theater]
[At length, one of his hands smooths across her back, careful - like he's confirming to himself that she's here, and in one piece, and as close to okay as she can be, given the circumstances.]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
[The hand on her back smooths down and then up again - to soothe her, maybe, but also to prove to himself that they're both here, in an ordinary bathroom, and there's nothing stopping either of them from reaching out for one another, if they need it.]
Re: [Day 169, after they have left the theater]
Hey...
[She tangles her fingers more tightly into his shirt for a good while before she continues]
You think--they could set up other doorways like that?
Re: [Day 169, after they have left the theater]
What, like -
[He hesitates. Isn't sure he wants to assume the wrong thing.]
...like what?
Re: [Day 169, after they have left the theater]
Like, how we were in the theater and then we weren't. Like that, where we could be--taken without being able to do anything.
Re: [Day 169, after they have left the theater]
...naw. Naw, we - we know what to look for now, right?
They had to set it up. Had to like - get it ready or something first. Otherwise why have us go there?
But we know what to look for, now. So we won't - we just walk into it.
Re: [Day 169, after they have left the theater]
So--you don't think they could just do it...anywhere...?
Re: [Day 169, after they have left the theater]
No point in setting up an ambush if you don't need an ambush.
Re: [Day 169, after they have left the theater]
Yeah... But couldn't they just set up more ambushes, is what I'm saying? Like...set some trick portal at the doorway to the hideout or something...
Re: [Day 169, after they have left the theater]
I guess.
But... why not just do that in the first place, if they knew to trap somewhere we'd be anyway? Why put the extra effort in to get us out to somewhere specific... y'know?
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
[He thinks about it, for a long couple of seconds.]
...or maybe he didn't know where we usually go or something.
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Who wants to watch people walking places?
Re: [Day 169, after they have left the theater]
[And her voice wavers a bit, as if recalling the feel of being pinned under that empty gaze, held by the long, slender fingers]
--Maybe they weren't after us in the first place. Maybe we were just the first guys to write 'em back.
Re: [Day 169, after they have left the theater]
He said it was on purpose. Why would he bother lying? He wanted us to - to put on a show, right? Better for him if we knew what was up.
[A thought seems to strike him.]
...hey. Why did he know about the angel?
Re: [Day 169, after they have left the theater]
[Huddles in]
Probably wanted him to spill the beans on how to get into Heaven or something...
Re: [Day 169, after they have left the theater]
Kinda weird it's all been at whatshisname's house, though, yeah? Even though P was supposed to've grabbed him.
...but yeah. That's what they wanted from him, right? So - they had to be trying to get him to give up the info, or do whatever it is they needed him to do to get them in.
Re: [Day 169, after they have left the theater]
...Even though I thought they were trying to keep it secret, the whole angel thing. That's why--when they said they broadcast it...
Re: [Day 169, after they have left the theater]
I kinda figured... they'd keep it on the down-low.
Re: [Day 169, after they have left the theater]
[If there's even sense to be made of something like this...]
Re: [Day 169, after they have left the theater]
[He's quiet for a long couple of seconds - curls into her a little closer.]
So either. Either what they got outta broadcasting was worth giving up the secret over, or else whoever it was wasn't part of the cover-up to start with.
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]