[As the seconds drag by, the shaking subsides a little at a time. He turns his head so that the damaged eye faces outward - presses his cheek on the uninjured side against her shoulder.]
[At length, one of his hands smooths across her back, careful - like he's confirming to himself that she's here, and in one piece, and as close to okay as she can be, given the circumstances.]
[Her breath catches again, a voiced little hiccup, but she presses closer still, enough that he can surely feel her heart pounding in her chest. Her one hand stays over the middle of his back, counting his breaths]
[There's no heartbeat to mirror hers, but she can feel him breathing - not quite steady - and pick up on the little tremors still working through him.]
[The hand on her back smooths down and then up again - to soothe her, maybe, but also to prove to himself that they're both here, in an ordinary bathroom, and there's nothing stopping either of them from reaching out for one another, if they need it.]
[She can't quite slow enough to match even his unsteady breaths but she's trying. She can't keep quiet, either, even though her voice comes out small enough that you'd think shutting it would be simple.]
Hey...
[She tangles her fingers more tightly into his shirt for a good while before she continues]
You think--they could set up other doorways like that?
Re: [Day 169, after they have left the theater]
[After a second, kind of strained:]
Should've maybe done one more.
Re: [Day 169, after they have left the theater]
I got a bottle back in the room. Once I wrap you up you can have as many as you want.
Re: [Day 169, after they have left the theater]
Pretty sure a whole bunch is like. Not a great call?
But a couple doesn't sound bad.
Re: [Day 169, after they have left the theater]
[Keeps combing through his hair, apologetic]
Maybe next time get the numbing thing.
Re: [Day 169, after they have left the theater]
[A beat or two, while he just closes his eyes and breathes.]
Y'know what they say about hindsight.
Re: [Day 169, after they have left the theater]
[Sighs]
...Sorry.
Re: [Day 169, after they have left the theater]
[He manages something like a smile, though his face is still waxy-pale.]
Pretty sure I couldn't've pulled it off myself. So.
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
[His throat works as he swallows.]
This was on me.
Re: [Day 169, after they have left the theater]
[Her fingers press into his skull, not hard, but present. Her voice isn't as steady as she wants it to be, but she pretends]
This's on that guy for--for using us. We're the victims here this time.
Re: [Day 169, after they have left the theater]
[Then, finally:]
So what're you saying sorry for?
Re: [Day 169, after they have left the theater]
Yeah... Yeah.
[The hand on his head drifts over a bit so she can lean over to hug him best she can]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
[As the seconds drag by, the shaking subsides a little at a time. He turns his head so that the damaged eye faces outward - presses his cheek on the uninjured side against her shoulder.]
Re: [Day 169, after they have left the theater]
At one point she makes a little noise like she's going to say something, but doesn't in the end.]
Re: [Day 169, after they have left the theater]
[At length, one of his hands smooths across her back, careful - like he's confirming to himself that she's here, and in one piece, and as close to okay as she can be, given the circumstances.]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
[The hand on her back smooths down and then up again - to soothe her, maybe, but also to prove to himself that they're both here, in an ordinary bathroom, and there's nothing stopping either of them from reaching out for one another, if they need it.]
Re: [Day 169, after they have left the theater]
Hey...
[She tangles her fingers more tightly into his shirt for a good while before she continues]
You think--they could set up other doorways like that?
Re: [Day 169, after they have left the theater]
What, like -
[He hesitates. Isn't sure he wants to assume the wrong thing.]
...like what?
Re: [Day 169, after they have left the theater]
Like, how we were in the theater and then we weren't. Like that, where we could be--taken without being able to do anything.
Re: [Day 169, after they have left the theater]
...naw. Naw, we - we know what to look for now, right?
They had to set it up. Had to like - get it ready or something first. Otherwise why have us go there?
But we know what to look for, now. So we won't - we just walk into it.
Re: [Day 169, after they have left the theater]
So--you don't think they could just do it...anywhere...?
Re: [Day 169, after they have left the theater]
No point in setting up an ambush if you don't need an ambush.
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]
Re: [Day 169, after they have left the theater]